Introducing Hugo Jacomet’s wardrobe
Double-breasted peak-lapel overcoat
Hugo Jacomet wears a striped double-breasted peak-lapel overcoat, 510 g/m², 100% virgin wool, from the Delfino bunch, paired with urea buttons. The double-breasted peak-lapel overcoat is the most assertive piece of the men’s winter wardrobe. Heir to the great frock coats of the 19th century, its double-breasted front and upward-pointing lapels give it a natural authority all of its own.
A double-breasted overcoat with peak lapels, for a structured, commanding silhouette.
Floating canvas, which naturally moulds to the chest without stiffness, for a drape that improves with time.
Fully lined in viscose, with 5.5 cm straight flap pockets, for a clean finish from collar to hem. No belt, to preserve the coat’s natural shoulder line and let the cloth express its drape to the full.
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UREA BUTTONS
UREA BUTTONS
The blue urea buttons reveal subtle nuances that echo the colour variations of the fabric.
The double-breasted peak-lapel overcoat
The double-breasted peak-lapel overcoat
The double-breasted front and the peak lapel form an inseparable duo in the history of the tailored coat. The overlap visually broadens the chest, the pointed lapel lengthens the collar; together they draw a silhouette that needs no further argument.
Herringbone cloth by Delfino
Herringbone cloth by Delfino
Woven by Delfino, this navy herringbone cloth gives the coat a subtle depth and a striped effect with a refined texture, revealing all its richness in the light.
Single-breasted notch-lapel coat
Sonya wears a plain black notch-lapel overcoat, 460 g/m², from the Gazaba Milano bunch, paired with black horn-effect buttons. The notch-lapel overcoat is the direct heir of the great tailored coat. A piece that borrows the rigour of cut from the men’s wardrobe and adapts it to a feminine silhouette with sober, assertive elegance.
A single-breasted overcoat with notch lapels, for a clean, structured silhouette.
Floating canvas, which naturally moulds to the chest without stiffness, so that the coat drapes just right from the very first wear.
Fully lined with two inside pockets, for a careful finish from the collar to the hem.
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Gazaba Milano black
Gazaba Milano black
Black is the most demanding colour in the wardrobe: it forgives nothing in the cut, but magnifies everything that is well made. Woven here in a heavy 460 g/m² cloth, it offers a matte depth and impeccable body throughout the cold seasons.
Rounded patch pockets
Rounded patch pockets
The rounded patch pockets give this coat a less formal look. It is a less common detail on a women’s overcoat.
Horn-effect buttons
Horn-effect buttons
Cut from a resin that imitates natural horn, the buttons show slightly irregular veining; no two are exactly alike. A discreet detail, but one that sets a truly well-made piece apart.
Trench Coat
Cédric chose a plain camel trench coat, 460 g/m², from the Gazaba Milano bunch, paired with dark brown urea buttons. The trench coat is one of the most timeless pieces of the men’s wardrobe. Born in the trenches of the First World War and adopted by British officers for its resistance and enveloping cut, over the decades it has become a symbol of urban elegance.
Its main originality is the choice of a winter overcoat cloth, which gives this trench coat body and allows it to be worn even when it is cold.
A long trench coat, for an enveloping silhouette that elegantly covers to the knee.
Fully lined for a careful inside finish from the collar to the hem. Beige stretch lining for perfect comfort when slipping it on.
Piped inside seams, for a clean and sturdy finish inside the garment. Slanted Italian-style front pockets. Two jetted back pockets with buttons.
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Gazaba Milano camel
Gazaba Milano camel
Camel is one of the most timeless shades of the men’s wardrobe. Here it is woven in a dense 460 g/m² wool-polyamide blend, warm enough for winter, structured enough to hold the silhouette without stiffness. A choice that is both elegant and versatile.
The stretch lining
The stretch lining
The full beige stretch lining is designed to follow every movement without constraint. It removes the stiffness often felt in a thick coat and makes it much easier to slip on over a suit.
The storm flap
The storm flap
Inherited from military garments, this piece of cloth over the shoulders and upper back helps rain run off, reinforces protection against the weather and gives the trench its characteristic structured silhouette.
Women’s double-breasted peak-lapel coat
Sarah wears a plain midnight blue double-breasted peak-lapel overcoat, 460 g/m², from the Gazaba Milano bunch, paired with natural horn-effect buttons. The double-breasted peak-lapel coat is one of the most assertive silhouettes of the women’s tailored wardrobe. Borrowed from the great military overcoats and the town suits of the early 20th century, it imposes a natural presence without effort.
A double-breasted overcoat with peak lapels, for a structured, determined silhouette. The floating canvas naturally moulds to the chest for a supple drape and a shape that builds with time.
Fully lined in viscose, with two inside pockets and 5.5 cm slanted flap pockets on the front.
Four working sleeve buttonholes and a partially open straight lapel buttonhole: discreet sartorial finishing details, yet characteristic of a truly made-to-measure garment.
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Gazaba Milano midnight blue
Gazaba Milano midnight blue
Between black and navy, midnight blue changes with the light: almost black indoors, slightly bluish in daylight. Woven at 460 g/m² in a wool-polyamide blend, it offers body and resistance.
Slanted flap pockets
Slanted flap pockets
The side pockets are slanted flap pockets, classic and dressy.
The double-breasted peak lapel
The double-breasted peak lapel
The peak lapel is the most assertive of tailored collars: its upward point creates a V line that lengthens the chest and frames the face. It is the classic collar of double-breasted overcoats.
Peacoat
Hugo Jacomet chose a khaki green peacoat, 460 g/m², from the Gazaba Milano bunch, paired with natural horn-effect buttons. The peacoat was born on the decks of the northern European navies in the 18th century. Designed to protect officers from cold and wind, its double-breasted front and wide lapels have become, over time, one of the most recognisable codes of the men’s winter wardrobe.
A double-breasted peacoat with wide lapels, for an enveloping and assertive silhouette without bulk.
Fully lined for a careful inside finish and perfect comfort when slipping it on. Slanted front pockets, discreet and functional, without disturbing the clean line of the front.
No belt, to keep the peacoat’s natural shoulder line and let the cloth express its drape.
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The peacoat collar
The peacoat collar
Generous and structured, the peacoat collar elegantly frames the face while offering effective protection against the wind when turned up.
Gazaba Milano khaki green
Gazaba Milano khaki green
Khaki green is one of the richest shades of the winter wardrobe — between military and natural, it brings depth without the severity of black. On the dense 460 g/m² Gazaba Milano cloth, it takes on a matte, velvety dimension that subtly changes with the light.
Slanted side pockets
Slanted side pockets
The slanted pockets of this peacoat are probably among the most comfortable to use. They let you face the storms while keeping your hands naturally and comfortably sheltered.
Polo Coat
Norbert Thor wears a plain midnight blue polo coat, 460 g/m², from the Gazaba Milano bunch. Born in the American polo clubs of the 1920s, the polo coat was worn by players between chukkers to keep warm without losing their ease of movement. Adopted by the Ivy League universities, it became one of the symbols of American preppy style before establishing itself as an international classic of the winter wardrobe.
A double-breasted polo coat with a half-belt at the back, for an enveloping and elegant silhouette to just below the knee.
The lapels and collar are generous, to be turned up against the cold.
The deep midnight blue of the 460 g/m² Gazaba Milano gives the polo coat great versatility.
The inverted pleat at the back and the deep centre vent, characteristic of the polo coat, free up movement while preserving the elegance and fluidity of its line.
Order your overcoat by clicking here.
Gazaba Milano midnight blue
Gazaba Milano midnight blue
Between black and navy, midnight blue changes with the light — almost black indoors, slightly bluish in daylight. Woven at 460 g/m² in a wool-polyamide blend, it offers body and lasting resistance.
Generous lapels and collar
Generous lapels and collar
The generous collar and wide lapels structure the top of the polo coat and assert its majestic allure. When turned up, the collar elegantly frames the face while offering extra protection against the cold.
Centre vent
Centre vent
The deep centre vent, characteristic of the polo coat, frees up movement while preserving the elegance and fluidity of its line.
Notch-lapel overcoat
Anatole wears a single-breasted notch-lapel overcoat, made in a plain warm taupe cloth of 620 g/m², 100% boiled wool, paired with cream urea buttons.
The single-breasted notch-lapel overcoat is one of the most classic and versatile silhouettes of the winter wardrobe. This piece does not go unnoticed, however, thanks to its taupe boiled wool, whose texture and shade give it a more original touch.
A long single-breasted overcoat with notch lapels, for an enveloping silhouette worn over the suit.
Dense and textured, boiled wool gives the coat warmth, character and depth, while keeping a fine suppleness.
Two rounded patch pockets on the front, for a relaxed look that contrasts with the imposing length of the coat.
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The 620 g/m² MTT cloth
The 620 g/m² MTT cloth
At 620 g/m², this Italian stretch woollen is a dense cloth of the made-to-measure wardrobe. Its slightly bouclé texture gives it a matte, velvety depth, while its stretch component (rare at this weight) guarantees unexpected freedom of movement for such a thick coat.
Rounded patch pockets
Rounded patch pockets
Where most overcoats opt for discreet jetted pockets, Anatole chose rounded patch pockets, inspired by the traditional Neapolitan tasche a pignata. Their rounded lines soften the silhouette of the overcoat and give it a more relaxed Italian elegance.
The shirt-style sleeve head
The shirt-style sleeve head
Unlike a tailored sleeve head, which structures and fills out the shoulder, the shirt-style sleeve head (seams turned inwards) creates a natural, sloping shoulder. The result is a softer coat, closer to the body, that is worn effortlessly.
Safari Suit
Loïc chose a safari jacket and trousers ensemble in plain greige, 340 g/m², 100% wool, woven by Vitale Barberis Canonico, paired with natural corozo buttons. Born in the African expeditions of the 1920s, the safari jacket has become over time a classic of elegant casual style: a field jacket structured enough to replace a suit jacket.
Single-breasted safari jacket with a removable belt, worn fitted at the waist or loose as you wish. Four bellows patch pockets with flap and button, the model’s signature, generous and functional.
Unlined in the body for lightness, with a cream viscose lining in the sleeves for easy slipping on.
Trousers with a 6 cm waistband, slanted front pockets and two jetted back pockets. One outward pleat on the front to follow the drape of the cloth and add volume through the hips.
4.5 cm turn-ups to structure the line over the shoe.
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The safari jacket
The safari jacket
Originally worn by explorers and colonial officers, the safari jacket owes its longevity to a rare balance: structured enough to replace a suit jacket, relaxed enough to be worn with jeans. Its four patch pockets are its signature: useful, visible and yet never cumbersome.
Bellows patch pockets
Bellows patch pockets
Unlike the discreet jetted pockets of the classic suit, the patch pockets of the safari jacket are on full display. The bellows let them expand with their contents; the flap and button close them neatly. A functional detail that is also the most recognisable of the model.
6 cm trouser waistband
6 cm trouser waistband
The generous 6 cm waistband structures the waist and underlines the sartorial spirit of the trousers. Its double button and extended offset fastening give the trousers character and make them easy to wear as separates.
White Thomas Mason shirt
Plain white shirt, 133 g/m², 100% cotton, in a crease-resistant pinpoint cloth made by the English mill Thomas Mason, paired with ivory buttons. Founded in England in 1796, Thomas Mason is one of the most respected shirting houses in the world. Its poplins are woven from yarns of exceptional quality, which give the cloth incomparable fineness, softness and body.
Plain white shirt with a retro collar, with 10 cm points, inspired by the 1950s wardrobe, whose long, spread points elegantly frame the tie knot.
Stiff collar with removable stays and 1 mm reinforcement stitching for a perfect hold all day long.
Rounded one-button cuff with double pleat and an extra adjustment button.
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Blue Thomas Mason shirt
Plain blue shirt, 133 g/m², 100% cotton, in a crease-resistant pinpoint cloth made by the English mill Thomas Mason, paired with ivory buttons. Founded in England in 1796, Thomas Mason is one of the most respected shirting houses in the world. Its poplins are woven from yarns of exceptional quality, which give the cloth incomparable fineness, softness and body.
Plain blue shirt with a retro collar, with 10 cm points, inspired by the 1950s wardrobe, whose long, spread points elegantly frame the tie knot.
Stiff collar with removable stays and 1 mm reinforcement stitching for a perfect hold all day long.
Rounded one-button cuff with double pleat and an extra adjustment button.
Order your shirt by clicking here.
The accessories
The collection comes with a selection of 6 ties and 4 pocket squares, designed to complete each outfit.
The ties — Paolo Albizzati
6 tie designs from the Romain Pizzanelli collection, specially selected with Hugo Jacomet for this edition and made by Paolo Albizzati.
Paolo Albizzati is a family-run Italian house specialising in the artisanal making of high-end ties and accessories. Made in Italy from precious Como silks, its ties combine sartorial know-how, rich patterns and contemporary elegance. Our selection offers different compositions and weaves: silk satin, printed silk twill, woven silk and silk grenadine. The whole collection is unlined and hand-rolled, 8.5 cm wide and 147 cm long.
The pocket squares — Serà Fine Silk
4 pocket square designs complete the selection, by Serà Fine Silk.
Serà Fine Silk is a Milanese house. The pocket squares are designed in Milan and made in Como, the historic heart of Italian silk. They are entirely hand-finished in Italy, in pure Como silk or linen. The brand has its shop in the 5 Vie district of Milan, a few minutes’ walk from the Duomo.
Order your accessories by clicking here.